Whether or not any of these questions will be addressed in future Wonder Woman stories is actually of no concern. Is she what students at Bryn Mawr called a “LUG” (lesbian until graduation, or in case this, lesbian until her invisible plane flight to Man’s World?) Is she even monogamous? Although Wonder Woman isn’t precisely queer in Morrison’s comic - at least, not by name - her sexual orientation will likely become a subject in future comics. His comic is pretty explicit on Diana’s lovers on Paradise Island, which is an important and obvious step for Wonder Woman’s story as it finds itself at the forefront of contemporary culture. I’m sure they would explore sexuality, so all we did was we made a little bit more explicit. Morrison has made comments to the press about Wonder Woman’s revamped sexuality, saying “Women living on an island for 3,000 years together - you don’t give up sex just because you gave up men. Morrison’s Wonder Woman is, in fact, into using bondage on her own time. Wonder Woman seduces Trevor on the next page, offering him a ridiculous black and spiky collar and telling him to kneel. Wonder Woman appears in the door to his hospital room, in the next panel, and proclaims that she is “neither yours, nor anyone’s,” and all feels right. He simply offers a couple complex scenarios and allows his reader to explore them.Īnother great panel lingers on Steve Trevor’s handsome face as he calls for his angel, his Wonder Woman. In fact, Morrison pulls off this subtle commentary on the multiple waves and facets of feminism without overstepping his boundaries. It pits an image of imperfect, contemporary femininity against the classic Amazon archetype in a way that feels fresh and nuanced. Wonder Woman is constantly talking about breaking chains, so shouldn’t she have been bound up in them?Ī great scenario halfway through the comic depicts a chubby sorority girl, who looks suspiciously like Rebel Wilson, yelling at the council of women ruling Paradise Island for ragging on Wonder Woman. Although Wonder Woman’s comic history has been wrought with bondage imagery, Morrison uses his keen eye to include these scenes as an integral part of the hero’s narrative. Ironically (and this isn’t lost on Morrison), Diana’s mother arrests her in the present time using chains. Morrison flows through the now-familiar story of Paradise Island and Steve Trevor, beginning with the forced sexual situation Diana’s mother kills her male captor and incites a riot. It’s refreshing to see Wonder Woman depicted as both a deadly warrior and a wide-eyed human being (while also being quite sensual). Seven Sisters colleges are basically Paradise Island, but I digress. Personally, I’m always shocked when I encounter women who prefer the company of men over women and genderqueer folks, but hey, both Wonder Woman and I came into our own in similar situations. Morrison’s Diana panics when she realizes the stories of elderly women aren’t being recorded before they die, and she calls the modern woman “frail” and frazzled, assuming their difficulties all come from being around men. As a graduate of Bryn Mawr College, I can empathize with Morrison’s version of Wonder Woman: who leaves a life spent among all women only to discover that females in coed environments are, by and large, still subservient to men.
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